You want a minimum of two, 1000 watt lights just for the green screen.
I am going to give you an example of a 10′ tall and 12′ wide screen with one subject in the center.
Only down point about tungsten lights is the light itself is more money, the y both work for green or blue screens but a tungsten will always give you better results when you light your screen properly. You can also keep a few handy to not slow down your shoot if that happens since you don’t have to buy as much. They even use less bulbs so when your cat knocks over your light and breaks all your bulbs you don’t have to replace as many. Tungsten lights do not pull green or blue hues. This is even worse for the key light on them, defeats the purpose of the key light.
#BEST LIGHTING SETUP FOR GREEN SCREEN SKIN#
Think of your actor, if you bring out green hues in their clothes or skin then when you key out the green you will key more of them out. This might sound good when you are working with a green screen but it isn’t. Let’s first look at what the two different lights do.įluorescent lights pull greens and intensifies their presence. Usually people want even lighting on their subjects so that would be a soft light.Īs independent filmmakers our budget is always a major concern, pay the rent or buy new equipment? Well, our significant others remind us to pay the rent first and we should thank them for that or we would be living in a box with amazing camera equipment. When shooting green screen your subjects will blur into the background without the proper key light behind them.ĭepending on your subject you have to decide how you light them and with what. You use these to backlight your subjects to give them a glow around their figure. Your hard lights have a very important use when doing green screen. Soft lights are the way to go to achieve the best lighting results on your screen. Soft lights are the easiest lights to achieve this and I have tried both numerous times. Your screen needs to be evenly lit, the more of your screen you have evenly lit when your actor is jumping around the better off your post production will be. Should I use hard light or soft lights? Both but for two different reasons and uses. Tungsten or fluorescent lights? Where do I place the lights? How many do I need? Will you come to my house and put together my lights? Last question first, I would never take away your chance to show off to your significant other how you get frustrated setting up lights. It’s only a little homicide, which one of us don’t need a 30 year vacation, all expenses paid by the government? If you feel you don’t need the vacation then you might be wondering what lights should I buy for my green screen set up. People use green screen effects too much, if you want to do a scene where you cut off an actor’s head I say do it.
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